![]() Whether you’re a famous hunk or some rando on the Internet, you’re waiting for a chance to pull out your Walken. Constant growling is a signature Walken performance trait, too, just as much as the puffing sounds he makes when finishing a line and after emphasizing the last letter of the final word.Everyone does a Christopher Walken impression. Walken can jump quickly from a potent, resounding voice to a whisper within the same line. Moreover, be mindful of the dynamic ranges. Maintain the bulk of the air around that area but restrain it as much as possible without affecting excessive pressure. You should achieve Walken’s mild raspiness by tightening the space on your throat. It should be fixed between the throat’s center and behind the tongue. When doing a Christopher Walken impression, always be mindful of the vibration of your voice. You ought to ensure that both the diaphragm and chest intervene as little as possible. It has a tinge of nasal delivery but more towards the nose’s rear rather than the tip. Walken’s voice is a throaty voice at its core. All of these gestures should be done in a nuanced manner. His face is very expressive, alternating between squints and eyebrow raises intermittently, coalesced with half-winks, gentle lip licks, nods, constant head tilts, and shakes. In addition, he tends to bounce back and forth when excited or exasperated, in many cases in combination with the gesticulations we just described in the above paragraph and some sucking in of air to boot. It’s not a stiff movement but should come out as naturally as possible. At times, he would place his arms at roughly 90 with the hands facing each other (like the position one takes when playing the accordion or a similar instrument) and the shoulders slightly shifting backward. One thing to remark about his body language is how he typically sways and shrugs subtly but perceptibly. While these gestures would not come out audibly in a voiceover job, they help voice actors get into the character. This inconsistency makes it very challenging for impersonators when attempting to follow a specific rhythm. ![]() Walken is likewise distinguished for emphasizing the most unexpected places when he says a line. “Yesterday I was, in a car accident ” or.To exemplify what we mean, Walken could read the line “yesterday, I was in a car accident” as follows: ![]() It’s also one of the most difficult aspects to emulate about his persona.įirstly, he pauses quite often and disregards punctuation rules. Hence:Ĭhristopher Walken’s pacing is notably one of his most identifiable quirks, setting him apart from regular New Yorkers. Apart from some obvious examples – such as “do” (doo) or “lose” (loose) – when the o is followed by a c or a t, it’s pronounced more as “ah”. To illustrate:įinally, the digraph “th” is pronounced more like a dental /d/, with less tongue between the teeth. In some instances, the o doesn’t follow this rule.
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